In 1967, when the Museum of Modern Art in New York City presented New Documents — a major exhibition of the personal visions of several photographers — the surprise of the show was the work of Diane Arbus. On her own, against the advice of many friends, she had pursued her documentation of people on the fringes of society, and the astonishing in the commonplace. Suddenly she was famous, with students and imitators. By 1972 her work was everywhere, and was featured at the Venice Biennale, where it became, as New York Times critic Hilton Kramer said, the overwhelming sensation of the American Pavilion. But by then Diane Arbus was dead, by her own hand. “Nothing about her life, her photographs or her death was accidental or ordinary,” wrote Richard Avedon. “They were mysterious and decisive and unimaginable except to her. Which is the way it is with genius.”
This half-hour documentary was made that same year. It explores her work and ideas, often in her own words as spoken by a close friend. It includes reflections by some of the people who knew her best; daughter Doon, teacher Lisette Model, colleague Marvin Israel, and John Szarkowski, at that time the director of the photography department at the Museum of Modern Art.
Lillian and Dorothy Gish starred in several silent films – this beautiful yet haunting portrait, taken by Diane Arbus in 1964, portrays the sisters in an aged and post-celebrity state. It is in the JPMorgan Chase art collection.
Girl in a Coat Lying in her Bed, NYC 1968
Elizabeth of Yugoslavia and Howard OxenbergHARPER'S BAZAAR MAY, 1965
MRS. T. CHARLTON HENRY IN BALENCIAGAHARPER'S BAZAAR JULY 1965 MRS. T. CHARLTON HENRY IN HER LIBRARY WEARING BALENCIAGA BILL BLASS DESIGNS FOR LITTLE ONESHarper's Bazaar September, 1962 WILLIAM MACK